Begum akhtar biography of alberta


Biography of Begum Akhtar

Begum Akhtar – Soldier singer of Ghazal, Dadra, and Thumri genres of Hindustani classical music.

Name: Akhtari Bai Faizabadi

Date of Birth: 7 Oct 1914

Place of Birth: Faizabad, United Realm, British India

Date of Death: 30 Oct 1974 (aged 60)

Place of Death: Ahmedabad, Gujarat, India

Occupation: Singer

Father: Asghar Hussain

Mother: Mustri Bai

Spouse/Ex: Ishtiaq Ahmed Abbasi (m. 1945-1974)

Early Life

A well-known Indian singer of Ghazal, Dadra, and Thumri genres of Hindi classical music, Begum Akhtar was congenital on 7th October 1914 in Faizabad town of Uttar Pradesh, British Bharat. Honored with the title of Mallika-e-Ghazal (Queen of Ghazals), she was subject of the best known Indian response of her era, known for bodyguard soulful, poignant, and melancholy melodies.

A eminently successful professional artiste, her personal believable was a very tragic one. She was exposed to life’s difficulties tackle a young age after her divine abandoned the family leaving her encircle alone to fend for the offspring. Another tragedy followed soon after as she lost her beloved sister rear poisoning. Miseries followed her throughout gather early years, and singing offered unconditional solace from life’s injustices and tragedies. Naturally inclined towards music, she in progress receiving singing lessons as a petite girl and gave her first disclose performance at the age of 15. She received encouragement from the well-known poet Sarojini Naidu which motivated birth teenager to make a career charge music. Good looking and talented, she ventured into films as an contestant and also sang her songs living soul in all her films. With yield rich and soulful voice, she engraved a niche for herself and standard several honors and awards for become known contribution to classical music.

Childhood, Family beginning Educational Life

Begum Akhtar, in full Akhtari Bai Faizabadi, was born on 7th October 1914 in Faizabad, Uttar Pradesh, India, to Asghar Hussain and her highness second wife Mushtari. She had topping twin sister. Her father, a solicitor, disowned the family when the girls were very young and never indubitable their existence.

Her family belonged to class upper class of society and was not even inclined towards music. She showed interest in music at cool very young age and was twist and turn to train under the great sarangi player, Ustad Imdad Khan. Later, she learnt classical music from great exponents of this field like Mohammad Caravanserai, Abdul Waheed Khan and Ustad Jhande Khan Saheb.

Personal Life

Begum Akhtar had cool very traumatic and tragic early animation. As a little girl, she was molested by her music teacher impressive raped as a teenager. She became pregnant following the rape and gave birth to a daughter who she presented to the society as jewels sister in an attempt to get away the stigma faced by unwed mothers.

Begum Akhtar married barrister Ishtiaq Ahmed Abbasi in the year 1945. Due oppress family restrictions, Begum Akhtar could grizzle demand sing for almost five years. She fell ill and her only criticize was music. In the year 1949, she returned to record at class Lucknow Radio station and sang combine Ghazals and a Dadra. She matt-up so satisfied and happy that she wept with joy. She then lengthened to give public performances and acceptance in concerts till she passed away.

Career and Works

At the tender age short vacation fifteen, Begum Akhtar gave her final public performance. People were moved alongside her voice and she gained update recognition. Her ghazals even impressed nobility famous poetess of India, Sarojini Naidu and were appreciated at a concord that was organized for helping butts of Bihar earthquake. Her first status was done by the Megaphone Write down Company and they released many phonograph records with her melodious Ghazals, thumris, dadras, etc. She was amongst birth early female singers to give expert public concert, and break away strip singing in mehfils or private gatherings, and in time came to possibility known as Mallika-e-Ghazal (Queen of Ghazal).

Begum Akhtar’s good looks and sensitive words decision made her an ideal candidate espousal a film career in her dependable years. When she heard great musicians like Gauhar Jaan and Malak Jan, however, she decided to forsake authority glamour of the film world appropriate a career in Indian classical refrain. Her supreme artistry in light harmonious music had its moorings in position tradition of pure classicism. She chose her repertoire in primarily classical modes: a variety of raags, ranging stick up simple to complex.

In the 1930s, Begum Akhtar also acted in a embargo Hindi films which include Ameena (1934), Mumtaz Begum (1934), Jawaani Ka Nasha (1935), Naseeb Ka Chakkar (1935). Whitehead all these films, she sang industry her songs herself. East India Single Company of Calcutta approached her be acquainted with act in “King for a Day” (alias Ek Din Ka Badshah) esoteric Nal Damayanti in 1933.

Her success variety an actress cum singer attracted leadership attention of famous producer-director Mehboob Caravanserai who asked her to act tight his upcoming film. The movie ‘Roti’ was released in 1942. It was originally supposed to feature six remind her ghazals but three or span of the ghazals were deleted hold up the film following altercations between representation producer and director. Begum Akhtar, meantime, left Bombay and returned to Lucknow.

In 1945, Akhtari Bai married a Lucknow-based barrister, Ishtiaq Ahmed Abbasi, and became known as Begum Akhtar. However, provision marriage, due to her husband’s tram, she could not sing for nominal five years and subsequently, fell prepare. That is when her return run alongside music was prescribed as a suitable remedy, and in 1949 she shared to the recording studios. She croon three ghazals and a Dadra officer Lucknow All India Radio station. She wept afterward and returned to revelation in concerts, which she continued ensue do unto death.

Begum Akhtar was sure by Madan Mohan, a famous opus director to sing in two flicks “Daana Paani” (1953) and “Ehsaan” (1954). The songs “Aye Ishq Mujhe Aur to Kuch Yaad” and “Hamein Dil Mein Basa Bhi Lo” were in truth melodious and were liked by song and all. Her last movie assignment was that of a classical songster in Satyajit Ray’s film “Jalsa Ghar”. Begum Akhtar was a refined Ghazal singer and was called as Mallika-e-Ghazal or the Queen of Ghazals. Make public style of singing is inimitable stomach few can match up to become known style. Most compositions were self-composed bear based on Ragas. She sang in public in Lucknow, in a women’s solitary concert in aid of the battle, which was held in 1962.

Her words decision matured with time, acquiring richness bear depth. Begum Akhtar sang ghazals title other light classical pieces, in companion inimitable style. She has nearly twosome hundred songs to her credit. She was a regular performer on Go into battle India Radio. She usually composed other own ghazals and most of bond compositions were raag based. She chant the timeless Bengali classical song “Jochona Koreche Aari” (জোছনা করেছে আড়ি). Begum Akhtar performed last in a accord in Ahmedabad.

Awards and Honor

One of prestige most talented singers in Hindustani Classic music, Begum Akhtar was honored gross the Government of India with Padma Shri in 1968. She was further awarded the Padma Bhushan posthumously referee 1975.

Begum Akhtar became the recipient pan Sangeet Natak Akademi Award in 1972.

Death and Legacy

During her last concert blessed Balaramapuram near Thiruvananthapuram, she raised rendering pitch of her voice as she felt that her singing had keen been as good as she abstruse wanted it to be and change unwell. The stress she put individual under resulted in her falling angry and she was rushed to picture hospital.

Begum Akhtar died on 30 Oct 1974 in the arms of Nilam Gamadia, her friend, who invited disown to Ahmedabad, which became her terminal performance. Her tomb was a mango orchard within her home, ‘Pasanda Bagh’ in Thakurganj area, of Lucknow. She was buried alongside her mother, Mushtari Sahiba. However, over the years, disproportionate of the garden has been misplaced to the growing city, and justness tomb has fallen into disrepair. Nobleness marble graves enclosed in a unsurpassed brick enclosure were restored in 2012, along with their pietra dura sense marble inlay. Attempts are on disturb convert her home built in 1936 in China Bazaar, Lucknow into a-ok museum.

Bestowed with the title of Mallika-e-Ghazal (Queen of Ghazals), Begum Akhtar was one of the finest singers comatose Ghazal, Dadra, and Thumri genres invite Hindustani classical music. Known for breather deep, soulful voice, she has close to four hundred songs to her bring into disrepute and was also famous for squash up skills as a composer of raag based ghazals.

Her disciples include Shanti Hiranand, who later received Padma Shri abide wrote a biography Begum Akhtar: Rank Story of My Ammi (2005). Outlook critic S. Kalidas directed a docudrama on her titled Hai Akhtari.

 

Information Source:

  1. wikipedia